feel I have to talk about everything to "protect" those phenomena that are passed from the underground and then all'hype have carved out a permanent (and deserved) position in the firmament sound over the years (or decades) ago.
auks, about CHILLWAVE and WITCH HOUSE as "phenomena" are ready to tear up the old stuff music today is a sign of obstinacy and blindness. is evident in 2011 than in 2010 for reasons related to the usual succession of cyclical trends which, again, ad nauseum.
reluctantly, further confirmation that the music is a system based on sensationalism, the next big thing and the hype of the moment.
probably all those blogs is inflated by the air of jaunty, indie magazines who know and who needs someone to donate a few months of celebrity to draw the trendy bandwagon is now the musical firmament (and then make you fat multinationals groups that create that sound by copying the look and selling it at exorbitant prices).
of this period are wasted the various classifications of the end of 2010, but not divisible into playlists INDIE, ELECTRONICA and PSEUDO-playlist playlist INTERESTING (the latter relatively few).
probably the overall look is to have your say on those plays that it was possible to consider the year just past, those who decide to have heard more and more willingly.
otherwise consider the most important records in the 365 just passed, in order to evaluate and measure the extent of a trend rather than another.
is a painstaking and important task.
some discs often have better luck because they entered the famous library of famous artists ( ESEMPIONE ) and have thereby acquired the visibility they deserve.
years is just learn to detach themselves from rumors, to learn to go see an artist live, to feel hard and maybe go back to see him live. understand that in a period is needed or not his music, its sounds, its screaming.
pull the money as we please, but not rimaniamoci below.
150 records each year will come out very valid, afrobeat from ambient drone through the sludge and everyone of us consider only 1 / 10 of them (as it should be) fearing the eternal mistake of believing that there are other records of note, let alone the podium.
nobody needs to be told what to listen, but we all need to put a close ear to the headset.
otherwise how do I say that listening to music more pussy of yours?
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